TABLE OF CONTENTSDescriptive Summary of the Collection Scope and Content of the Collection |
Administrative InformationCite AsRuth Page Nutcracker Papers, Midwest Manuscript Collection, The Newberry Library, Chicago. ProvenanceGift of Larry Long, 2006. Processed byLeslie James Osterberg, 2007. AccessThe Ruth Page Nutcracker Papers are open for research in the Special Collections Reading Room; 1 box at a time (Priority III). Ownership and Literary RightsThe Ruth Page Nutcracker Papers are the physical property of the Newberry Library. Copyright may belong to the authors or their legal heirs or assigns. For permission to publish or reproduce any materials from this collection, contact the Roger and Julie Baskes Department of Special Collections. Return to the Table of Contents Biography of Ruth PageChicago dancer, choreographer, and ballet director. Dancer, choreographer, and ballet director, Ruth Page (1899-1991) was a pioneer in creating works on American themes. To the classical ballet vocabulary she added movements from sports, popular dance, and everyday gestures. Born in Indianapolis, Ruth Page studied with Adolph Bolm in New York, and after a tour with Anna Pavlova’s ballet company she joined Bolm’s Ballet Intime. In 1919 she came to Chicago to dance the leading role in Birthday of the Infanta, choreographed by Bolm to a score by Chicagoan John Alden Carpenter. After dancing in a Broadway musical, she returned to Chicago in 1924 as principal dancer with Bolm’s Allied Arts Ballet. From 1926 to 1931 she was a principal dancer and choreographer for the Ravinia Opera Company. While dancing and directing the ballet ensemble for the Chicago Opera Company (from 1934 to 1945, with several off-seasons), Page codirected with Bentley Stone the Dance Project of the Works Progress Administration’s Federal Theatre (1938 and 1939). From 1954 to 1969 she directed the ballet for Chicago Lyric Opera. Miss Page formed the Chicago Opera Ballet in 1955, choreographing a number of ballets based on opera subjects, following the story line as closely as possible and using the music. This company performed in Chicago and toured in the United States; the company later became known as the Ruth Page’s International Ballet. From1965 to 1968, Miss Page choreographed and produced a full-scale of The Nutcracker at Chicago’s Arie Crown Theatre, sponsored by the Chicago Tribune Charities, using dancers from her own Chicago Opera Ballet. There were no performances of the Ruth Page Nutcracker in 1969 and 1970; the ballet performances resumed in 1971 and lasted until 1997. [much of this biography comes from Ruth Page: A Chicago Dance Institution, by Ann Barzel] Larry Long was born in California where he began his ballet training with the former Russian ballerina, Alexandra Baldina. He was a member of Alicia Alonso’s Ballet and later joined Ruth Page’s Chicago Opera Company. He became a principal dancer and later ballet master of Miss Page’s International Ballet Company until its dissolution in 1969. When of Page’s The Nutcracker resumed in 1971, Mr. Long became ballet master and associate director. He became director in 1992, a position he held until the final year of in 1997. Mr. Long is currently director of the Ruth Page School for Dance and is artistic director of the Civic Ballet of Chicago. Return to the Table of Contents Scope and Content of the CollectionThe collection consists of a variety of material related to the of The Nutcracker ballet as choreographed by Ruth Page. It includes dancer contact sheets, cast directories and sign-in sheets, rehearsal schedules, tentative casting, and specific performance casts. There are also performance schedules, publicity and press releases, advertisements, ticket order forms, programs, souvenir books, and reviews. There are drawings for costumes and sets (notably sketches by Jose Varona), and also some miscellaneous correspondence. A large number of photographs of principal and corps dancers, both professional and candid, are included. Prominent principal dancers include Larry Long, Dolores Lipinski, and Richard Ellis. The collection is organized into two series: Series 1: Production Files, 1965 – 1997 (Boxes 1-3); Series 2: Photographs, 1965 – 1997 (Box 4-6). Narrative descriptions of the subject matter, types of material, and arrangement of each series are available through the Organization section of the finding aid. Return to the Table of Contents OrganizationPapers are organized in the following series:
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