5:30 to 7:45 pm Thursday; 9 am to 3;30 pm Friday
Twitter hashtag for the symposium: #NLHOB17
The symposium, designed for a broad audience of undergraduate and graduate students, faculty members, local scholars, and the interested general public, will introduce participants to:
- the extraordinary array of relevant research materials in the collection of the Newberry
- the crucial debates in early modern Italian literary criticism
- the range of exemplary texts and their respective audiences
- a case study of interdisciplinary methodology for understanding and exploring the contexts of early modern literary critical writings.
A crucial feature of intellectual culture in early modern Italy was the reception of classical texts of literary criticism, such as Horace’s Ars Poetica, Longinus’ On the Sublime, and most importantly, Aristotle’s Poetics. The Poetics quickly became a central text for literary criticism in the period after its translation into Latin by Alessandro de’ Pazzi in 1536. These works provided poets with precepts for their compositions, ideas of genre, and a means to justify literary experimentation. Many of the interpretive debates surrounding these texts occurred on the printed page in various translations, commentaries, polemic treatises and published lectures. While the ideas on poetry in these works were explored by Bernard Weinberg, in his 1961 A History of Literary Criticism in the Italian Renaissance, few have yet explored these works from the more recent perspectives of book history and material culture. Weinberg was a professor at the University of Chicago and bequeathed his collection of early modern Italian literary criticism to the Wing collection at the Newberry Library.
This symposium aims to explore the contexts of early modern literary criticism in Italy through three lenses, of readers, publishers, and collectors, including such questions as:
- Who were the publishers and booksellers of literary criticism in this period?
- What was the market for such works and how did this shape physical aspects of their publication (typography, bindings, size, ornamentation, etc.)?
- How did printing allow such debates to reach interlocutors beyond the immediate academic, intellectual, civic and national contexts in which they emerged?
- Did publishers take any particular position in these debates?
- Who read and collected such texts in the early modern period both in Italy and beyond? What criteria guided their acquisitions?
By beginning to reconstruct such contexts this symposium hopes to call attention to the complex social and economic dynamics of early modern literary debates and to create dialog between the disciplines of book history, the study of material culture, and history of ideas. This case-study symposium hopes to build skills and provide new perspectives for scholars who work on early modern European cultural history, while introducing interested members of the general public to new approaches in the field.
Thursday, March 9
5:30-7:45. Keynote Address; Wine Reception
Linguistic (In)hospitality in Early Modern Epic
Friday, March 10
9 - 9:20. Coffee and Continental Breakfast
9:20 - 9:40. Opening Remarks
Bernard Weinberg: The University of Chicago and Newberry Library
9:40 - 11. Session 1
Forums for Cinquecento Literary Debates: Academies and the Printed Text
From Book History to Social and Political History : Shedding Light on the Understanding of Aristotle’s Poetics developed within the Accademia degli Alterati of Florence (1569-ca. 1630)
Debating Aristotle’s Poetics in the Accademia degli Intronati: allegory, metaphor, and the status of poetry
Around the Accademia degli Infiammati: Poetic and Moral Issues Between Sperone Speroni and Alessandro Piccolomini
11-12:30. Session 2
The Uses and Abuses of Renaissance Poetics and Print
Paratexts and Marginalia from the Vaults of the British Library
Poetics and Emotional Communities in Early Modern Italy
Critical Dialogue: Renaissance and Contemporary Literary Criticism
12:30-2. Lunch Break
2-3:30. Literary Quarrels (Hands-on Rare Books Sessions and Discussion)
The Quarrel over Epic Form between Ariosto and Tasso
The Quarrel over Dante
In addition to funding from the Newberry Library, this symposium is generously sponsored by the Humanities Research Fund, the Centre for the Study of the Renaissance, and the Department of Italian Studies (SMLC) at the University of Warwick. Additional support is provided by the Bibliographical Society.
Registration is closed. Please write to email@example.com if you have not registered, but plan to attend.