10 am to noon
Panel Discussion in Ruggles Hall; Card-Making Workshop in 1-West
Explore the aesthetic and technological dimensions of typography and book design in Chicago, with an in-depth look at the Newberry’s collection of type specimens, book designs, and advertising.
Paul Gehl, Curator Emeritus at the Newberry, and Tanner Woodford, Executive Director of the Chicago Design Museum, will provide historical depth to what we utilize every day: the fonts on our computer. What is a font, and how did it come into being? What role did Chicago play in font design?
To answer these questions, Woodford and Gehl will describe materials from the Newberry collection, including from the papers of designer and calligrapher Raymond F. Daboll; type designer Oswald Cooper, whose “Cooper Black” became the largest selling single type face in the late 1920s and 1930s; commercial lettering artist James Hayes; designer and print historian Douglas McMurtrie; graphic designer Robert Hunter Middleton; and printer and commercial artist Will Ransom.
Holiday Card-Making Workshop
Overseen by staff from the Chicago Design Museum, audience members will have the opportunity to create holiday cards from words, letterforms, images, and handwriting reproduced from the collections discussed earlier.
Download a PDF flyer for this event to post and distribute.
This program is part of Art Design Chicago, an exploration of Chicago’s art and design legacy, an initiative of the Terra Foundation for American Art with presenting partner The Richard H. Driehaus Foundation.
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Free and open to the public. Seating will be extremely limited due to the hands-on nature of the event, so all participants must register in advance. Register online using this form by 3 pm Friday, December 1, 2018.
Doors open half an hour before the program begins, with first-come, first-served seating for registered attendees. Questions? Contact us at firstname.lastname@example.org or 312-255-3610.