This exhibition presents an overview of the Mexican Revolution as a historic event in which individuals, groups, and social classes pursued diverse goals to achieve political, economic, and social change. It also highlights several definitive political and military moments during the Revolution, as well as the people who witnessed and shaped it.
Digital Resources by Type
Explore the Newberry through online collections, exhibitions, and publications.
All Digital Resources
This virtual exhibition is based on The Aztecs and the Making of Colonial Mexico, a display of original manuscripts, books, and other materials at the Newberry from September 28, 2006 through January 13, 2007. The virtual exhibit includes the complete text from the original gallery exhibit and digitized images of many of the manuscripts and books that were displayed.
This exhibition highlights the ways in which architectural books were developed from the sixteenth to the eighteenth centuries to display the military and political power of European rulers and states.
In text and images, this exhibit explores the inner workings of daily life for circus performers under the Big Top.
Today most Americans remember the War of 1812 for inspiring Francis Scott Key to write “The Star Spangled Banner.” Many of the conflict’s most familiar events—the battle of New Orleans, impressment of American sailors into the British Navy, and the British assault on Washington.
This online exhibition honors the memory of James M. Wells, longtime custodian of the John M. Wing Foundation on the History of Printing at the Newberry Library.
This project aims to provide a more complete understanding of the complex nexus of issues, events, and people that contributed to the causes and effects of the Civil War.
When Chicago steel magnate Everett D. Graff walked into Wright Howes’ bookshop on Michigan Avenue in the 1920s he sparked one of the most important friendships in the book world.
Creating Shakespeare explores how Shakespeare–contrary to Ben Jonson’s famous phrase–was both of an age and for all time, through an examination of how he created his works.
In the winter of 1904-1905, Daniel Burnham, the Chicago architect and future co-author of the Plan of Chicago, traveled to the Philippines.
This exhibition explores the life and reign of Elizabeth I, examining how her unique personality was forged and why her legend has endured.
Ephemera are traces of the everyday—materials, usually printed, designed to be read or consumed in some way and then discarded. From bus tickets to party invitations, dance cards to advertisements, these items form the texture of social and commercial exchange.
The “Everywhere West” digital exhibit is based on an exhibition staged at the Newberry August 10 to October 16, 2010. It contains a selection of unique black-and-white photographs portraying the lives of Chicago, Burlington and Quincy Railroad workers and the communities spawned by the company’s sprawling rail network.
This exhibit traces the emigration of French Canadian populations to the Midwest. Following some key French Canadians like Pierre Menard and Father Chiniquy, this project looks at the influence they had over time and how French Canadian settlements developed in the Midwest throughout the Nineteenth century.
By combining image galleries and original scholarship, this exhibit explores how central North America first became known as the “Frontier” and eventually as the “Heartland.”
To commemorate the 150th anniversary of the US Civil War and in conjunction with the Terra Foundation for American Art, the Newberry Library mounted the exhibition, “Home Front: Daily Life in the Civil War North” in September of 2013. This online exhibit features images of around 100 objects which highlight the enormous toll the war took on civilians.
This exhibit displays excerpts from over twenty illuminated manuscripts that span the century 1450 to 1550.
The materials displayed here represent important periods in the intertwined histories of American Indians and the European and American settlers who began to arrive in the region in the late seventeenth century. The archival materials presented reveal a story of change and continuity; a necessary paradox for American Indians.
Based on an exhibition originally mounted at the Newberry, this website explores how two histories, that of the United States and that of Indian peoples along the expedition route, came together two hundred years ago and how they remain intertwined today.
In the form of original scholarship and images, this exhibit charts the political and personal course of Lincoln’s views leading up to and during his presidency.
Love comes in all shapes and sizes, spanning the centuries and the globe – especially when expressed on paper.
In this exhibit, the Newberry offers a glimpse at its splendid printed sources that relate to the last great queen of France.
This exhibit provides an overview of exploration and early European cartography from 1534-1710.
This exhibit is meant to encourage civic engagement with the struggles over democracy and citizenship, which have occupied Chicagoans for the duration of the city’s political history.
Photographing Freetowns: African American Kentucky through the Lens of Helen Balfour Morrison, 1935-1946
Helen Balfour Morrison (1900-1984), a white photographer from Chicago’s North Shore, traveled at least three times over a decade to Kentucky’s Inner Bluegrass region to photograph African Americans of the rural freetowns or hamlets surrounding Lexington.
This exhibition displays French pamphlets published from about 1600 to the French Revolution, they form the foundation for current and future scholarly projects.
This exhibit situates Pullman within a broad narrative, exploring how the neighborhood illuminates the centrality of labor, race, and urban development in the history of industrial America.
This exhibition explores the 125-year evolution of the Newberry, from its first en bloc acquisitions and initial steps in fulfilling Walter L. Newberry’s mandate for a “free public library,” to the renowned research institution and “center for the humanities” that it is today.
Religious Change and Print, 1450-1700 explores the intersection of religion and print culture during the early modern period.
This exhibition presents Renaissance editions of Dante’s Divine Comedy from the John A. Zahm, C.S.C., Dante Collection at the University of Notre Dame, together with selected treasures from the Newberry Library.
This exhibit reminds us that the revolution in Haiti may be as powerful a reminder of local organization against unjust political practices as the French Revolution ever was.
To mark The Bard’s birthday—April 23—and celebrate his work, the Newberry partnered with Chicago Shakespeare Theater and The Shakespeare Project of Chicago to host a small but spectacular exhibition featuring more than 40 items from the three institutions. It focused in part on Henry V, the first play performed—on the roof of the Red Lion Pub—by Chicago Shakespeare Theater.
In this exhibition you will see a small sample of rare and special books on religion, published from the thirteenth to the nineteenth centuries that the Newberry collected over the last two decades.
The summer of 2014 marked the 100th anniversary of the start of World War I. Chicago, Europe, and the Great War draws on the Newberry’s collection to tell the story of Chicago’s many and varied connections to the conflict. Chicagoans reported and commented on the war, fought in it, supported it, and protested against it.