Have you ever wanted to write iambic meter after reading Shakespeare? Has a poem in Poetry magazine surprised you by being formal and colloquial? Maybe you are already writing in meter and rhyme but want to know more about how today’s poets use forms such as iambs, trochees, and dactyls?
2 - 4 pm
2 - 4 pm
Traceable to the harp and lyre of antiquity, as well as to the medieval fiddle, the violin began to acquire its present shape and character in the seventeenth century. At first it was an ensemble instrument, but its possibilities as a solo instrument were soon recognized.
10 am - 4 pm
This workshop is designed for journal writers, people writing family stories, and creative writers who want to record their life stories–those significant tales of transition, adventure, loss, and triumph. We will use a series of writing exercises to retrieve and record the important people, places, and events in our lives.
1 – 3 pm
Suspense and conflict, figures of speech and points of view, setting and scene, history and invention, diction and dialogue, plot and theme, line breaks and stanzas: these are just some of the elements of creative writing. This supportive yet challenging workshop will provide weekly assignments to help writers at all levels and in every genre master these principles.
1 - 3 pm
This course offers a well-rounded introduction to Louis XIV’s energetic and complex personality, his complicated love-life, his sophisticated political skills, and his accomplishments in the expansion and modernization of France. Nancy Mitford’s deeply researched The Sun King and W. H.
Maps have long exerted a special fascination—as beautiful works of art and as practical navigational tools. But to those who collect them, the map trade can be a cutthroat business, inhabited by quirky and sometimes disreputable characters in search of a finite number of extremely rare objects.
6 - 7:30 pm
The third volume of In Search of Lost Time, Proust’s monumental novel, is a dazzling portrait of the salon society of late nineteenth-century Paris rendered in loving detail even as it is ruthlessly satirized. The narrator discovers the shallowness of a world he had mythologized as a boy in Combray.
Responding to a canon of criticism of Chicago that dates back at least to the mid-twentieth century (and a recent contribution to which came from Rachel Shteir in the New York Times), writers Thomas Dyja and Neil Steinberg will debate Chicago as the Second City and its place in American history and culture.
2 - 4 pm
The generation of composers born in the 1860s and 70s contributed to the evolutionary process of classical music by pushing the limits of the traditional concepts of form, harmony, rhythm, and even melody. Compositions were inspired by extra-musical content including literary elements, autobiography, sensual intoxication, and “nature” pictures.
5:45 – 7:45 pm
Harriet Beecher Stowe’s novel Uncle Tom’s Cabin became a cultural phenomenon soon after it first appeared in the National Era abolitionist newspaper in June 1851, and it has remained an important, although complicated, literary landmark.